Theoretical Priciples of De-aestheticized Art | Knowledge Base

"Art is a lie, we recognize the Truth." ? Pablo Picasso

What kind of lie is compatible with the contemporary art today?
What kind of truth that we realize through contemporary art?

Contemporary visual art scene is also a place full of broken mirror, which reflects the images to each other in the multidimensional media circus. The technique of cataloging and classification, the creation of the category, it could serve as a key to mapping and understanding of the complexity of the variety of approaches and tendencies that are in the current panorama in the world of art. Criteria for the creation and selection will be taken from random structures, and theoretical questioning the importance of the development of art.

The first category for the entire system are those of matter and consciousness. They offer the trunk from which all other categories of the various branches of the tribe. All elements are connected together, can each be understood as an element of the set. -Dialectical Materialism (A. Spirkin)

The determination of the significance of trends in art or simple styles, establish groups or other structures, it is not relevant in the near future. "Anything Goes" is replaced by: "What?" With all the information and tools available today, each one could become an artist. People from all professions are playing with the new media. Garageband is a musician or a designer of graphics software, or use your digital camera for a photographer? New technologies to create a competitive game because everybody wants to win. Winning art, the experience also means "15 minutes of fame around the world" and a "superhero". Offers the consumer society, in which the surface of happiness. Those who see the game if he plays at all. Fortunately, you can not play at the same time. The audience ranges from small groups (family and friends) of large social groups. In large social communities and national structures, at the request of the "hero-artist" from, and the culture is broken into small pieces of individualized activities on a regional basis. Examine the artistic patterns in the context of contemporary philosophy of art rather a concept that everyone is or can be an artist to accept. The significance, importance and the consequences are of low power of the mind and have a great influence on the cultural and social life. Why? Requires the abandonment of the notion of conceptual thinking.

My artistic approach is on such foundations. Not that I do in the situation, the process of non-dualistic, but I'll try to talk a little "time speculative forward-looking statements after the end of art. Sooner or later this trend will be identified as an unusual way. Historically, the construction of this road is a paradox in the sense (especially on a collective level), but similar trends are in the air post-postmodern rain found, and soon appears in the sky like a rainbow.

The Conservatives are now looking for unique and interesting angle to defend their position by specific techniques, when used for art exhibitions. The use of traditional methods to ensure the cycle of the system of technology, from creation to distribution and protect the cultural capital of the seat. Scenes more alternatives (against technology, forums or other so-called "new media") are not the solution to the basic function of art in contemporary culture-platform world, because they rely on mechanisms of selective traditional conservatives and prejudices. What I mean by that? I mean, studying the process of prosecution in relation to the definition of what we call art. As an indication of the dialectical philosophy is an example of the potential of the idea given by A. Danto demonstrate, philosophy of art of all times. These ideas must be taken not only by the artists themselves, but also make the new structures that support the platform of the official cultural context.

What are the results of the conference held in Tehran in 2001? The art will remain during the presentation of the 20th Century are presented. Support structures, static views certainly not to increase public awareness and awareness of the problems of the world of modern art. The artist Mark Kostabi refers to the idea that art, a slave market. Some conservatives are in motion that set by such statements. In the overall consideration of Westernization, a phenomenon that Mr. Kostabi's be a leader ? a hero who is the ideal combination of quality, that the contemporary artist must possess. It is also the best evidence of the lie who understand us, the truth about today's technology helps.
Like a flash of neon art mirrors everywhere.
It seems that a new quality of the questions that arose since the Arthur Danto's ideas in the book titled "After the End of Art, 1998." Ten years ago, Arthur Danto announced that art ended in the sixties. Has made this statement at the top of a radical criticism of the way the art of our time. "Art is a philosophy.

I've always believed in the search for answers in the space between the search for middle ground. Neither postmodernism nor new approaches to mass media, the answers are to understand the place of art in the morning. Postmodern world is a world of fun. It's like an amusement park, where the possibilities are endless and we feel overwhelmed for a while, but we need to go take a break from information overload and home.
Kostabi is one of those who know the art market, and exploited for its intelligence penetrated the system, so you can do what he wants. We need to pay for the cheapest tickets in the pocket. I admire him because he realized that the dream of every artist. Or is it a dream of every artist recognized and sale of works of art from around the world?
Otherwise, what is it?

It is always useful to ask questions like: What is art? How to deal with it? What is the nature of beauty? I am referring to a dialogue between Einstein and Tagore in 1930.

Einstein: There are two different conceptions of the nature of the universe ? the world is as a unity of humanity and the world as a reality independent of the human factor.
Tagore: If our universe is in harmony with man, the eternal, we know to be true, we feel as beauty. "
E: If there are no more people, the Apollo Belvedere no longer be beautiful?
T: No!
E: I agree with this view of beauty, but not in relation to the truth.
T: Why not? The truth is reached by means of men.
E: I can not prove that my view is correct, but it is my religion.
T: Beauty is in the ideal of perfect harmony, the universal truth is a comprehensive understanding of the universal spirit. As we are the individual level with our faults and mistakes, through experience, through our illumined consciousness approach. How else can know the truth? google_ad_channel = "7940249670", AB_unit_channel AB_cat_channel + +; google_language "is" =; google_ad_region = 'test', ? Dmitri Marianoff published in The New York Times, 10 August 1930

"Contemporary artists seem closer than ever to new horizons. One reason for this failure be the separation between the artistic activity of speculative thought."
2001 Tehran Museum of Contemporary Art, the International Conference on Philosophy of Art.

What has happened since the conference? How to overcome the speculative idea, whether it arises because of the cultural values, with the support of the society in which we live?
How to identify the place or individual works of art in the world of art, as complex and varied, without affecting the originality in comparison to the changes in art? How to cope with a rapid rate, from minute to minute changes in trends in art? How the individual contributes to the artists of his era to life, and carries not only the nature of the 15 minutes of the story? What values, the reasons for the art of tomorrow? No analogy in the history of the situation of our time? What are the future forms of visual inspection? What is the production of art will be in the near future 10 years? What is the role of new media? Are you an artist in the philosophy of art should be involved? Can create unique works of art are created in isolation? If so, how the processes of art are individually structured and globally?
And "interesting to consider, a pioneer in the new era of art. My motivation is to explore the realm of possibility. In no inherent interest in aspects of art, and I do not know how the evolving possibilities of artistic thinking. In 1999 he graduated from the Academy of Fine Arts in Bratislava, inspired by I. Kabakov installation, where I presented my work space with drawings and engravings on the floor and white fabrics, with the intention of questioning the very meaning of art. White cloth was there to ask the reason for the continuation of the brand and the histories of art. I saw a circle of possibilities. If it was possible at all, and was an art, an art that was nothing, it was the death of art. But now I realize it's only the beginning of my long journey to understanding the truth about art.

The Incredibles (2004) updated the feelings towards the end of art.
"If everyone is a superhero who is not super-heroes."

To continue the activity, the products that are labeled as an art to formulate and consider the following facts were leading:
1st Analysis of the situation.
2nd Basic error of motivation and self-injury.
3rd The formulation of solutions and strategies.
4th Continuous production and symbiosis with the visual reality.

1st Situation Analysis
Since the conference in Tehran: Post-Modern and Contemporary Art
27 April ? 1st May, 2002

The problems of contemporary art:
? Aesthetics of Contemporary Art
? The thin line between art and artistic
? The language and the expression of contemporary art
? Literature and the Arts
? Contemporary Art and Technology
? Globalization and Contemporary Art
? Post-Modern Art: Features and specifications
? The end of art

Post-modernism and trends of contemporary art:
? Minimalism
? Concept Art
Land Art ?
Video Art ?
Body Art ?
? Anti-Art
? The local art
? Feminism
? Post-Modern Architecture

The origins of postmodern art theorist
The theoretical foundations of modernity from the perspective of modern philosophy:
? Humanism
? Rationalism
? Subjectivism
? Nihilism
? Aesthetics
? Lighting

2nd BASE CAR misunderstandings and MOTIVATION
I played with some of the dilemmas traditional dualistic mind. The adoption of the dual aspect of things leads to critical thinking, not only in art. The creation of categories is the beginning of the tragedy of the period after the end of art. Therefore, the beauty and any other category is defined, in which continuous labels.
Definition of the other grounds of error is the juxtaposition of art models of Nietzsche and Malraux and the creative process.

Nietzsche
a. He wants a less artistic. But the belief in the "genius"
b.one dark instincts tirades of disaffected, ambitious, self-ghost dressed in a democratic age: the importance of laying.
C. A method for the transfer of technology in other ways, combines art with the objectives of interest or knowledge in a church or race (nationalism), or philosophy.
D.ON attract women who are victims, anger, etc. False "intensification".

Andr? Malraux
Art is an exhibition of the universal creativity of the individual. Through the work of human art was and is to fight and overcome the physical limitations of their personal and social (historical) target. Malraux refused to explain works of art in relation to the biographies of their creators, and it is against this approach by the motives and content of art.

3rd Formulation and solution strategy / VISION UTOPIA

a. revival of the legendary quality.
Because of the degeneracy of the age of spiritual values ??and the end of the old gods, and that migration is responsible for the multi-cultural mix, I'm looking for an opportunity to New St.. This is not a transcendent artistic creation. It is a pursuit of an art form, content on the evolutionary dialectic of social wisdom, which is very sacred secret essence of respect can be achieved. This is a new field level for new colors, shapes and textures. Renewal forms of art on the revaluation of the attributes of the sacred history and the importance of modern times, the grounds and the outlook for ways new to the sacred. And "the revival of the symbols that exist already in the world. This is a creation of a new religion, but a new level of social consciousness. Shape remains the same opinion, is different. Technology, art and philosophy are integrated in the symbiosis.

b. The role of artists, galleries and cultural industries. The combination of both worlds. Cultural wisdom. Utopia.
This would mean the end of "his game marketing ? ruled by art dealers, gallery owners and publishers, the affairs of the cultural sector have to manage."
The global society is ruled by the cultural wisdom. Artistic creation is no more than the act of creation. "Art is spontaneous as breathing." Artist takes shape, which is immediately and naturally blend with the surroundings so that the unconscious mind through the wisdom, the dilemma that prevents the hierarchical model is regulated. S gallery space is no longer necessary and the room was a showcase. The total space requires no installation. The art is a conscious representation of the image plane, the experience of the retina or the selection of the image into the consciousness of the aesthetics and the placement was requested. The artists make art that is already mixed into the natural environment in the context of space and serves as the ability to manage public performance. Wisdom of the culture are seen by the human consciousness, which offers unlimited potential to define to define the pictorial structure of reality, and their limits, the limits of understanding of reality.

C. The clash of cultures. World culture. Meta-code, art and religion.
We have a world class experience in the formation of new cultural quality, based on cultural conflicts. (Example: listen to the experience of total cultural forms at home in Los Angeles with my friends, Persian music and japanese techno Mexico, eating cheese with bread, Arabic, Bulgarian, Russian pickles and drink French wine, about Slovak culture or the latest fashion trends in London.) East and West, North or South, have to meet the process is still ongoing and it is difficult to predict the results of a culture shock. But we must have to be present during the formation of the universal space in which cultural identities look new. This is the temporary identity crisis for us individually, but in the end, lead to the identity of the global consciousness.
Americanization of the world can be a model of globalization in the world with positive and negative aspects. Migration to the caves is limited. SJLewy

4th Continuous production and symbiosis VISUAL
I would like to the surface past the point of application A. The philosophy of scratches Danto 's on the end of art. Not that I "dare" to develop their ideas from the philosophical point of view, but I just want to reflect and articulate fragments strictly as an artistic vision.

"A philosophical question arises whenever we have two objects that appear in all participants are equal, but who belong to very different philosophical categories.
? And it is no less true when it comes to explaining the differences between art and the only real things that will happen exactly look like this.
? For example, based on the images as objects of perception complex. While they are, but because the objects can imagine perfectly congruent with those that are not works of art that should be synonymous with the degree of complexity of perception. Finally, the problem arose mainly because there can be no difference in the perception imagine if relevant. Can not serve in the possession of the "aesthetic quality" and it would be strange that a work of art was nice, but something like, if not a work of art is not. In fact, it was a great effort of philosophy, art, conceptual art, an aesthetic. Marcel Duchamp was an artist far more deeply than Warhol, who describes himself elected as "readymade" objects for their lack of aesthetic qualities identified ? Grooming Combs, wearing a hat, and notoriously, bathroom plumbing parts. "Beauty is beloved in order to avoid the danger," Duchamp wrote his most controversial, the Source, 1917. It was a great effort to point out that Duchamp's art one is intellectual, conceptual and society is not only something that the senses and emotions come into play, and it must be true of all art, including those determined to the satisfaction of the eyes or ears and not only those works, particularly as the "philosophical" as the School of Athens by Raphael, or Magic Mountain are male. Someone outside the Republic of Plato, the choreography, not only because of its content, the more philosophical or Coppelia, Petrouchka. In fact, they may be more philosophical, like they do with real dancers dance, the dancers mimic mimics real doll!
Where the components of a theory of art are you going? I think the first step in recognizing that art works can be done are representations, not necessarily resemble the old sense of his subjects, but in the broader sense is always legitimate to ask what.
Well, of course, not all works of art represented, and the definition is started. I will not take the next step. All I wanted to show what I do is to consider how the philosophy of art has deep problems, the problems of representation and reality, the structure, the truth and meaning. In view of these things, moving from the periphery to the center of philosophy, and so curious about two things they do. For art reaches the level of consciousness has come to realize in our time, the distinction between art and philosophy is problematic because the distinction between reality and art. And to the extent that the appreciation of art is a matter of applied philosophy, should not be underestimated, "-. A. Danto

I believe that art is the level where its own representation is the representation of the pure existence to achieve. What I mean pure existence? Ii is the cleaning in relation to creation is not. The whole creation is pregnant with their cause. Thus, the cleaning of the reason for the creation of the cleaning, the act of creation.
The global awareness of the level of cultural knowledge provides the platform, where all things are become works of fine art. It would be the awareness and ability, the piece of reality and the aesthetic quality of the frame to apply it. The reality at the level of cultural knowledge, ultimately de-aestheticized. Idea of ??Marcel Duchamp was to eliminate the risk entirely aesthetic pleasure and his vision.
All aspects of reality can become art, but the culture does not allow dual reality of Wisdom (studies), became the artistic director or the collective level, or other regional levels in order. What there is just one possible view of the level of consciousness. But in the last stages of the cultivation of wisdom, in the last phase of serenity, the aesthetic experience touches of reality, as the last art could take place simultaneously in more than one person. Could follow the evolution of collective experience. The result of the parallel experiment shows the evolution of the human species into the subtle spiritual quality and the realization of the inseparability of beauty in their lives. And "the experience of the highest aesthetic. This will lead to protect in the formation of the new social structure and "shaman" to the sacred world.
The essence of the Sanctuary is in all aspects of reality that the door sticks to the final creation, the seed that could be the beauty of nature.

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